[Schuldig slips in through a window; he does this silently and with surprising grace, thanks to being agile and used to unconventional means of getting around. From there, it's easy enough to slip up behind Ema.] People have been dying in Mayfield as long as you or he have been here. What is it about headstones that makes it seem more serious?

[He hasn't forgotten his reason for coming, but he can't help but be a little curious. Why headstones should make such a difference in their perceptions of Mayfield's usual high death toll, he can't imagine.]